How many salsa moves are there

In salsa rueda, there is one leader who calls out what move to do, and all the couples in the circle execute the move simultaneously. The moves are similar to those of Cuban-style salsa, and a salsa rueda dance involves a coordinated dance of synchronized movement, partner switches, and intricate turn patterns. Outside of Colombia there are very few cities in the world where Colombian salsa is danced regularly. Inside Colombia, however, is another matter entirely. The city by some estimates has over salsa academies, more than any other city in the world.

Every year the city hosts a massive festival called the Feria de Cali, with thousands of dancers, and the city is host to a number of massive salsa dance competitions. Colombian salsa is characterized by extremely fast footwork and quick knee movements, as well as acrobatics and lifts at the performance and competition level. Unlike other styles of salsa, salsa choke is danced individually, but in a group, where one dancer leads a step and the others in the group follow.

Salsa choke is danced specifically to salsa choke music, which is a type of music that sounds a little like a cross between salsa music and reggaeton.

Hopefully that overview of the different styles of salsa dance gives you a better idea of the different salsa variations that are out there! Takeshi salsakesh on Instagram is the founder of Salsa Vida and has been dancing salsa for over 15 years and is passionate about all things salsa.

It won't matter how many patterns he knows if what he's doing is built around displaying the patterns he knows, rather than dancing to the music with me. If I reviewed everything I'd supposedly learned over the years, probably or more. How m any do I actually use? And most of them arne't that complicated, pretty low level steps. But even so, dancing with pro from another studio at a social a few weeks ago, she couldn't stop talking to both my pros and some of our mutual friends about how good I was getting.

SO it's certainly not just about the steps. Leonid Turetsky Member. I like this post. As a pro, I know tons of moves from beginner to advanced level. And I try to mix em up, yes I will repeat moves at times, its no biggie I think if you know about moves that's a good start.

You will need to learn exactly how to lead all these moves, how to mix them up so they can flow, and how to make sure you do it all to the timing of the music. As for moves, here is my best advice of how to learn new salsa moves Learn how to get into different endings from the same move. This may seem confusing. All I mean is that you need to learn 3 different endings to a "Hammerlock turn" for example OR 3 different endings to a "Cross body lead inside turn", etc This will make your life much easier when you are trying to mix it up in social dance event.

If you want to learn patterns, move to L. There are many pattern junkies here. My daughter's ex-partner is probably one of the best. It starts in the grip position and ends with one hand held. Its name,"dile que no" tell him no , comes from the fact that the man marks a forward and a lateral in beats 1,2 and 3, while the woman in beat 5, instead of stepping back makes a figure fake and finally a change of position in the shape of a crescent.

As we can see, this step consists of the woman moving away from her dancing partner by means of her rotation saying no. The movement ends when the man pulls the woman towards himself and the two of them are placed close together again, but on the opposite side to the one they had in the beginning.

The enchufla is characterized by a change of position in the dance and because it moves from dancing to arm free to grip , with half a turn of the boy and half a turn of the girl. In the case of the man, in the first measure he marks with his left foot, walks with his right foot, and in beat 3 he walks again with his left foot and starts a half turn to the right. In the second measure, it will mark the beats 5,6,7 being front and with full grip with the girl.

When walking in time 2 she pushes the girl to a change of position, raising her left arm so that the girl passes under her arm. The girl in the first measure marks with her right foot and walks with her left foot, advances in beat 3 with her right foot and starts a half turn to the left.

The cubanito or cubanito is one of the initiation steps in salsa. In short, it is a small game between the couple, between fakes and feints , which ends with an openbreak and a no to say no, to finish the figure.

In its visual aspect, the boy follows the girl's movements by placing himself behind her , then moving to the front position and repeating the steps again.

The figure will end with a plug, the openbreak and tell him no. At the beginning of the figure, in beats 1,2 and 3 the spin is prepared. The boy raises his left arm in beat 3 and the girl will turn in beat 3 to her right. In beats the girl turns completely to her right with three steps forward, describing a small circle.

Meanwhile, the boy in these steps can stay in place by marking the base step, or better yet, move around the girl on her left. Finally, we will undo the figure as if it were a plug. The croqueta complicada is one of the most visual figures when it comes to salsa dancing.

Facing perpendicular to the line of dance. Both dancers are positioned facing perpendicular to the line of dance. Such positioning of the dancers with respect to the line of dance is also called butterfly position.

Change of directions. The man normally leads the lady across to the opposite side: from his right side to his left. There are many variations of turns for men and ladies. Turns can be executed with partners holding each other or in NO hold free turns. Hammerlocks are positions where the dancers hold each other with both hands with either the man or the lady having one arm bent behind self broken arm , while holding the hand of the partner.

Embraces are positions where one of the dancers has both hands crossed behind or in front of self while holding both hands of the partner. Dancers are facing each other and the lady's arm s are hooked behind the man's shoulder s. Dancers are facing each other and the man has his arm looped on the lady's shoulders. The Arm Loop is often used after a turn for the lady. Dancers are facing the same direction with the lady positioned on the right or on the left side of the man.

Both hands are connected in a crossed hold and rest on the shoulders of the dancers. Practise 'Solo' at Home. Site Map. DVDs by category. Styling inspiration from amazing dancers.